Can maximize productivity, minimize visual fatigue, and relax the body
Visible light!
Equal parts of all colors in the visible light spectrum
Light hitting an object, and the color that is reflected off the object (and not absorbed into the object) is the color we see
A transparent,triangular object that breaks white light into all the colors of the visible light spectrum
Red, orange, yellow, green, blue, (indigo), and violet
Refers to the color itself; each different hue is a different reflected wavelength
Occurs when all wavelengths are reflected back to the eye
Occurs when no light is reflected back into the eye
Depends of the type of light it is seen with (like daylight or night, incandescent, fluorescent)
A visual tool that shows the relationship between primary, secondary, and tertiary colors (and complementary, analogous, schemes)
Colors that cannot be created by mixing any other colors; red, yellow, and blue!
Created by mixing two primary colors; orange, green, and violet!
Colors that do not show up on the color wheel; colors of very low saturation (intensity)
Help put the focus on other colors or serve to tone down overpowering colors
Colors positioned opposite of each other on the color wheel; red and green, orange and blue, yellow and violet
Refers to the lightness or darkness of a hue
Created by adding black to a hue, producing a low-value color
Created by adding white to a hue, producing a high-value color
The brightness of a color; at full intensity when not mixed with black or white
Creates a dull tone; though when put side-by-side, intensity is increased
A pleasing to the eye, engages the viewer, and creates a sense of order
Harmonious color combinations; used to create style and appeal, and based on the color wheel and arrangement of colors; color schemes remain harmonious regardless of the rotation angle
Uses variations of tints or shades (values) of one color; clean and elegant, soothing effect and easy on the eyes
Uses three adjacent colors on the color wheel; one color as a dominant color, while the others are used to enrich the scheme; usually found in nature and pleasing to the eye; bright and cheery effect, though can accommodate changing moods
Uses two colors opposite to one another; draws a lot of attention; works best in situations where you need high-contrast compositions; found in nature all the time!
Uses three colors: one color and the two colors adjacent to its complement. This draws attention without the tension of a complementary scheme
Uses three colors equally spaced among the color wheel and offers a strong visual balance
Vivid in nature; yellows, oranges or reds (aggression, excitement, and danger)
(Can represent aggression, excitement, and danger, as well as being strong and welcoming, but will overpower other colors in a design.) They are bold and energetic, and tend to appear closer to the viewer
Soothing in nature; greens, blues, and violets; passiveness, comforting, and nurturing
Calm and rarely overpowering; appears further away and is used to give the illusion of depth